Martha Graham by Yousuf Karsh (1948)
May 11, 1894|
April 1, 1991
New York City
|Known for||Dance and choreography|
Kennedy Center Honors (1979)
Presidential Medal of Freedom (1976)
National Medal of Arts (1985)
Martha Graham (May 11, 1894 – April 1, 1991) was an American modern dancer and choreographer whose influence on dance has been compared with the influence Picasso had on the modern visual arts, Stravinsky had on music, or Frank Lloyd Wright had on architecture.
She danced and choreographed for over seventy years. Graham was the first dancer to perform at the White House, travel abroad as a cultural ambassador, and receive the highest civilian award of the US: the Presidential Medal of Freedom. In her lifetime she received honors ranging from the Key to the City of Paris to Japan's Imperial Order of the Precious Crown. She said, in the 1994 documentary The Dancer Revealed, "I have spent all my life with dance and being a dancer. It's permitting life to use you in a very intense way. Sometimes it is not pleasant. Sometimes it is fearful. But nevertheless it is inevitable." 
Her style, the Graham technique, fundamentally reshaped American dance and is still taught worldwide.
- Early life 1
- New era in dance 2.1
- Retirement and later years 3
- Death 4
- Influence and legacy 5
Martha Graham Dance Company 6
- Early dancers 6.1
- Accolades 7
- Choreography 8
- See also 9
- References 10
- Sources 11
- Further reading 12
- External links 13
Graham was born in Victorian era was known as an "alienist", a practitioner of an early form of psychiatry. The Grahams were strict Presbyterians. Dr. Graham was a third-generation American of Irish descent. Her mother Jane Beers was a second-generation American of Irish and Scots-Irish descent and was also a sixth-generation descendant of Myles Standish. While her parents provided a comfortable environment in her youth, it was not one that encouraged dancing.
The Graham family moved to Santa Barbara, California when Martha was fourteen years old. In 1911, she attended the first dance performance of her life, watching Ruth St. Denis perform at the Mason Opera House in Los Angeles. In the mid-1910s, Martha Graham began her studies at the newly created Denishawn School of Dancing and Related Arts, founded by Ruth St. Denis and Ted Shawn, at which she would stay until 1923. In 1922, Graham performed one of Shawn's Egyptian dances with Lillian Powell in a short silent film by Hugo Riesenfeld that attempted to synchronize a dance routine on film with a live orchestra and an onscreen conductor.
In 1925, Graham was employed at the Eastman School of Music where Rouben Mamoulian was head of the School of Drama. Among other performances, together Mamoulian and Graham produced a short two-color film called The Flute of Krishna, featuring Eastman students. Mamoulian left Eastman shortly thereafter and Graham chose to leave also, even though she was asked to stay on.
In 1926, the Martha Graham Center of Contemporary Dance was established. On April 18 of the same year Graham debuted her first independent concert, consisting of 18 short solos and trios that she had choreographed. This performance took place at the 48th Street Theatre in Manhattan. She would later say of the concert: "Everything I did was influenced by Denishawn." On November 28, 1926 Martha Graham and others in her company gave a dance recital at the Klaw Theatre in New York City. Around the same time she entered an extended collaboration with Japanese-American pictorialist photographer Soichi Sunami, and over the next five years they together created some of the most iconic images of early modern dance.
One of Graham's students was heiress Bethsabée de Rothschild with whom she became close friends. When Rothschild moved to Israel and established the Batsheva Dance Company in 1965, Graham became the company's first director.
New era in dance
In 1936, Graham created Chronicle which brought serious issues to the stage in a dramatic manner. Influenced by the Wall Street Crash of 1929, the Great Depression that followed, and the Spanish Civil War, the dance focused on depression and isolation, reflected in the dark nature of both the set and costumes.
In 1938 Erick Hawkins became the first man to dance with her company. He officially joined her troupe the following year, dancing male lead in a number of Graham's works. They were married in July 1948 after the New York premiere of Night Journey. He left her troupe in 1951 and they divorced in 1954.
On April 1, 1958, The Martha Graham Company premiered the ballet Clytemnestra, based on the ancient Greek legend Clytemnestra and it became a huge success and great accomplishment for Graham. With a score by Egyptian-born composer Halim El-Dabh, this ballet was a large scale work and the only full-length work in Graham's career. Graham choreographed and danced the title role, spending almost the entire duration of the performance on the stage. The ballet was based on the Greek mythology of the same title and tells a tale of Queen Clytemnestra who is married to King Agamemnon. Within the ballet, Clytemnestra has an affair with Aegisthus, while her husband is away battling at the Trojan War. Upon Agamemnon's victorious return he discovers his wife has had an affair, and in revenge Agamemnon offers their daughter, Iphigenia to be sacrificed. Later in the ballet, Clytemnestra is murdered by her other child, her son, Orestes, and the audience experiences Clytemnestra in the afterworld. This ballet was deemed a masterpiece of 20th-century American modernism and was so successful it had a limited engagement showing on Broadway. 
Graham collaborated with many composers including Aaron Copland on Appalachian Spring, Louis Horst, Samuel Barber, William Schuman, Carlos Surinach, Norman Dello Joio, and Gian Carlo Menotti. Graham's mother died in Santa Barbara in 1958. Her oldest friend and musical collaborator Louis Horst died in 1964. She said of Horst, "His sympathy and understanding, but primarily his faith, gave me a landscape to move in. Without it, I should certainly have been lost."
Throughout her career Graham resisted requests for her dances to be recorded because she believed that live performances should only exist on stage as they are experienced. There were a few notable exceptions to her dances being taped. For example, she worked on a limited basis with still photographers Philippe Halsman's photographs of "Dark Meadow" the most complete photographic record of any of her dances. Halsman also photographed in the 1940s: "Letter to the World", "Cave of the Heart", "Night Journey" and "Every Soul is a Circus". In later years her thinking on the matter evolved and others convinced her to let them recreate some of what was lost.
In her biography Martha Agnes de Mille cites Graham's last performance as the evening of May 25, 1968, in a "Time of Snow". But in A Dancer's Life biographer Russell Freedman lists the year of Graham's final performance as 1969. In her 1991 autobiography, Blood Memory, Graham herself lists her final performance as her 1970 appearance in Cortege of Eagles when she was 76 years old.
Retirement and later years
In the years that followed her departure from the stage Graham sank into a deep depression fueled by views from the wings of young dancers performing many of the dances she had choreographed for herself and her former husband. Graham's health declined precipitously as she abused alcohol to numb her pain. In Blood Memory she wrote,
It wasn't until years after I had relinquished a ballet that I could bear to watch someone else dance it. I believe in never looking back, never indulging in nostalgia, or reminiscing. Yet how can you avoid it when you look on stage and see a dancer made up to look as you did thirty years ago, dancing a ballet you created with someone you were then deeply in love with, your husband? I think that is a circle of hell Dante omitted. [When I stopped dancing] I had lost my will to live. I stayed home alone, ate very little, and drank too much and brooded. My face was ruined, and people say I looked odd, which I agreed with. Finally my system just gave in. I was in the hospital for a long time, much of it in a coma.
- Martha Graham at Find a Grave
- PBS:American Masters biography
- Kennedy Center biography
- Martha Graham at the Internet Movie Database
- MarthaGraham.org – Martha Graham Center of Contemporary Dance
- University of Pittsburgh online text
- Library of Congress image of Martha Graham recital program
- Guide to the Barbara Morgan Photographs of Martha Graham and Company. Special Collections and Archives, The UC Irvine Libraries, Irvine, California.
- in 2013 at Jacob’s Pillow Dance Festival.Rite of SpringArchival footage of the Martha Graham Dance Company performing
- Hodes, Stuart, Part Real-Part Dream, Dancing With Martha Graham, (2011) Concord ePress, Concord, MA.
- Bird, Dorothy; Greenberg, Joyce (2002). Bird's Eye View: Dancing With Martha Graham and on Broadway (reprint ed.). Pittsburgh, Pennsylvania: University of Pittsburgh Press.
- Graham, Martha (1991). Blood Memory An autobiography. New York: Doubleday.
- Hawkins, Erick (1992). The Body Is a Clear Place and Other Statements on Dance. Hightstown, New Jersey: Princeton Book Co.
- Horosko, Marian (2002). Martha Graham The Evolution of Her Dance Theory and Training. Gainesville, FL: Univ. Press of Florida.
- Morgan, Barbara (1980). Martha Graham Sixteen Dances in Photographs. Morgan & Morgan.
- Newman, Gerald (1998). Martha Graham: Founder of Modern Dance. Danbury, Connecticut: Franklin Watts.
- Soares, Janet Mansfield (1992). Louis Horst Musician in a Dancer's World. Durham, North Carolina:
- Taylor, Paul (1987). Private Domain An Autobiography. New York: Knopf.
- Tracy, Robert (1997). Goddess – Martha Graham's Dancers Remember. Pompton Plains, New Jersey: Limelight Editions.
- Layman, Richard; Bondi, Victor (1995). American Decades 1940–1949. Gale Research International, Limited.
- de Mille, Agnes (1991). Martha: The Life and Work of Martha Graham. New York: Random House.
- Bryant, Paula Pratt (1994). Martha Graham (The Importance Of... Series). Detroit: Gale.
- Martha: The Life and Work Of Martha Graham A Biography, by Agnes De Mille, 1991
- Martha, by Alice Helpern, 1998
- Martha Graham in Love and War: The Life in the Work, by Mark Franko, 2012
- Martha Graham: The Evolution of Her Dance Theory and Training, by Marian Horosko, 2002
- Bondi (1995) p.74 quote: "Picasso of Dance [...] Martha Graham was to modern dance what Pablo Picasso was to modern art."
- Agnes de Mille (1991) p.vii quote: "Her achievement is equivalent to Picasso's," I said to Mark Ryder, a pupil and company member of Graham's, "I'm not sure I will accept him as deserving to be in her class."
- "Martha Graham: About the Dancer". American Masters. NPR. September 16, 2005. Archived from the original on 2013-10-10.
- The Dancer Revealed, American Masters: Season 8, Episode 2, PBS, 13 May 1994
- "TIME 100: Martha Graham". Time. August 6, 1998. Archived from the original on 2011-07-06.
- Martha Graham: A Dancer's Life by Russell Freedman, p. 12
- Martha Graham: A Dancer's Life by Russell Freedman, p. 20
- Martha Graham: A Dancer's Life by Russell Freedman, p. 21
- Bryant Pratt (1994)
- "Music Films", Standard-Examiner (Ogden, Utah), May 21, 1922, p. 5
- Mansfield Soares (1992) p.56
- "from Kathy Muir". Seattle Camera Club. Retrieved 2015-10-04.
- Franco, Mark (June 2012). Martha Graham in Love and War: The Life in the Work. Oxford University Press. p. 139.
- Martha Graham: A special issue of the journal Choreography and Dance, By Alice Helpern
- LaMothe, Kimerer L. Nietzsche's Dancers: Isadora Duncan, Martha Graham, and the Revaluation of. p. 203.
- Dance Observer 27. 1960.
- Marthagraham.org Archived January 10, 2010 at the Wayback Machine
- Freedman, p. 134
- Women in Leadership: Contextual Dynamics and Boundaries, by Karin Klenke
- Graham, Martha (1991). Blood memory. Doubleday.
- Kisselgoff, Anna (April 2, 1991). "Martha Graham Dies at 96; A Revolutionary in Dance". The New York Times.
- Susan Ware (1998). Letter to the World: Seven Women who Shaped the American Century. W.W. Norton.
- "Google Doodle Celebrates Martha Graham and Dynamic Web". PC World. May 11, 2011. Archived from the original on 2013-07-02.
- De Mille (1991), p. 409.
- De Mille (1991), pp. 409–10.
- Gerald, Newman (1998). Martha Graham: Founder of Modern Dance. Danbury, Connecticut: Franklin Watts.
- De Mille (1991) p. 264.
- "Martha's back! Famed dance company in residence during June." Scope Online. Skidmore College
- "Martha Graham Dance Company". Museum of Contemporary Art, Chicago. Archived from the original on 2011-09-19. Retrieved 2011-08-08.
- Darnell, Tracie (2007-04-17). "Martha Graham Dance Company returns to Chicago for long-awaited performance at MCA". Medill. Archived from the original on 2013-10-12. Retrieved 2011-08-08.
- De Mille (1991) p.417
- "Book of Members, 1780–2010: Chapter G" (PDF). American Academy of Arts and Sciences. Retrieved July 29, 2014.
- Martha Graham: A Dancer's Life by Russell Freedman, p. 142
- Cross, Mary (ed). One Hundred People who Changed 20th-century America. p. 156.
- Women in Leadership: Contextual Dynamics and Boundaries, By Karin Klenke
- 11:27 p.m. EDT October 3, 2015. "10 women honored at Hall of Fame induction". Democratandchronicle.com. Retrieved 2015-10-04.
- Armitage, p. 9.
- Moving force, Haaretz Archived February 25, 2012 at the Wayback Machine
- 20th-century concert dance
- American Dance Festival
- Christine Dakin
- List of dance companies
- Postmodern dance
- Terese Capucilli
- Women in dance
|1929||Figure of a Saint||George Frideric Handel|
|1929||"Vision of the Apocalypse"||Hermann Reutter|
|1929||Moment Rustica||Francis Poulenc|
|1929||Heretic||from folklore||Old Breton song – de Sivry|
|1931||Primitive Mysteries||Louis Horst|
|1933||Romeo and Juliet||Dance sequences for a Katharine Cornell production|
|1936||Steps in the Street||Part of Chronicle|
|1936||Chronicle||Wallingford Riegger||Lighting by Jean Rosenthal|
|1937||Deep Song||Henry Cowell|
|1937||Opening Dance||Norman Lloyd|
|1937||Immediate Tragedy||Henry Cowell|
|1937||American Lyric||Alex North|
|1938||American Document||Ray Green|
|1939||Every Soul is a Circus||Paul Nordoff|
|1940||El Penitente||Louis Horst|
|1940||Letter to the World||Hunter Johnson|
|1941||Punch and the Judy||Robert McBride|
|1942||Land Be Bright||Arthur Kreutz|
|1943||Deaths and Entrances||Hunter Johnson|
|1943||Salem Shore||Paul Nordoff|
|1944||Appalachian Spring||Aaron Copland|
|1944||Imagined Wing||Darius Milhaud|
|1946||Dark Meadow||Carlos Chávez||Sets by Isamu Noguchi, costumes by Edythe Gilfond, and lighting by Jean Rosenthal.|
|1946||Cave of the Heart||Samuel Barber|
|1947||Errand into the Maze||Gian Carlo Menotti||Sets by Isamu Noguchi and lighting by Jean Rosenthal|
|1947||Night Journey, Martha Graham||William Schuman|
|1948||Diversion of Angels||Norman Dello Joio|
|1951||The Triumph of St. Joan||Norman Dello Joio|
|1954||Ardent Song||Alan Hovhaness|
|1955||Seraphic Dialogue||Norman Dello Joio|
|1958||Embattled Garden||Carlos Surinach|
|1959||Episodes||Anton Webern||Commissioned by New York City Ballet|
|1960||Acrobats of God||Carlos Surinach|
|1961||Visionary Recital||Robert Starer||Revised as Samson Agonistes in 1962|
|1961||One More Gaudy Night||Halim El-Dabh|
|1962||A Look at Lightning||Halim El-Dabh|
|1962||Secular Games||Robert Starer|
|1962||Legend of Judith||Mordechai Seter|
|1965||The Witch of Endor||William Schuman|
|1967||Cortege of Eagles||Eugene Lester|
|1968||A Time of Snow||Norman Dello Joio|
|1968||Plain of Prayer||Eugene Lester|
|1968||The Lady of the House of Sleep||Robert Starer|
|1969||The Archaic Hours||Eugene Lester|
|1973||Mendicants of Evening||David G. Walker||Revised as Chronique in 1974|
|1973||Myth of a Voyage||Alan Hovhaness|
|1974||Holy Jungle||Robert Starer|
|1974||Jacob's Dream||Mordechai Seter|
|1975||Point of Crossing||Mordechai Seter|
|1975||The Scarlet Letter||Hunter Johnson|
|1977||O Thou Desire Who Art About to Sing||Meyer Kupferman|
|1977||Shadows||Gian Carlo Menotti|
|1978||The Owl and the Pussycat||Carlos Surinach|
|1978||Flute of Pan||Traditional music.|
|1978 or 1979||Frescoes||Samuel Barber|
|1979||Episodes||Anton Webern||reconstructed and reworked|
|1981||Acts of Light||Carl Nielsen|
|1982||Dances of the Golden Hall||Andrzej Panufnik|
|1982||Andromanche's Lament||Samuel Barber|
|1983||Phaedra's Dream||George Crumb|
|1984||The Rite of Spring||Igor Stravinsky|
|1985||Song||Romanian folk music||played on the Marcel Cellier on the organ|
|1986||Temptations of the Moon||Béla Bartók|
|1986||Tangled Night||Klaus Egge|
|1988||Night Chant||R. Carlos Nakai|
|1990||Maple Leaf Rag||Scott Joplin||costumes by Calvin Klein|
|1991||The Eyes of the Goddess||Unfinished|
This excerpt from John Martin’s reviews in The New York Times provides insight on Graham’s choreographic style. “Frequently the vividness and intensity of her purpose are so potent that on the rise of the curtain they strike like a blow, and in that moment one must decide whether he is for or against her. She boils down her moods and movements until they are devoid of all extraneous substances and are concentrated to the highest degree.”
In 2015 she was posthumously inducted into the National Women's Hall of Fame.
In 1998 Graham was posthumously named "Dancer of the Century" by Time magazine, and one of the female "Icons of the Century" by People. The New York Times called her a "brilliant, young dancer".
Graham was inducted into the National Museum of Dance's Mr. & Mrs. Cornelius Vanderbilt Whitney Hall of Fame in 1987.
In 1957 Graham was elected a Fellow of the American Academy of Arts and Sciences. She was awarded the Presidential Medal of Freedom in 1976 by President Gerald Ford (the First Lady Betty Ford had danced with Graham in her youth). Ford declared her "a national treasure".
Graham's original female dancers consisted of Bessie Schonberg, Evelyn Sabin, Martha Hill, Gertrude Shurr, Anna Sokolow, Nelle Fisher, Dorothy Bird, Bonnie Bird, Sophie Maslow, May O'Donnell, Jane Dudley, Anita Alvarez, Pearl Lang, and Marjorie G. Mazia. A second group included Yuriko, Ethel Butler, Ethel Winter, Jean Erdman, Patricia Birch, Nina Fonaroff, Matt Turney, Mary Hinkson. The group of men dancers was made up of Erick Hawkins, Merce Cunningham, David Campbell, John Butler, Robert Cohan, Stuart Hodes, Glen Tetley, Bertram Ross, Paul Taylor, Mark Ryder, and William Carter.
The Martha Graham Dance Company is the oldest dance company in America, founded in 1926. It has helped develop many famous dancers and choreographers of the 20th and 21st centuries including Erick Hawkins, Anna Sokolow, Merce Cunningham and Paul Taylor. It continues to perform, including at the Saratoga Performing Arts Center in June 2008, a program consisting of: Ruth St. Denis' The Incense; Graham's reconstruction of Ted Shawn's Serenata Morisca; Graham's Lamentation; Yuriko's reconstruction of Graham's Panorama, performed by dancers from Skidmore College; excerpts from Yuriko's and Graham's reconstruction of the latter's Chronicle from the Julien Bryan film; Graham's Errand into the Maze and Maple Leaf Rag. The company also performed in 2007 at the Museum of Contemporary Art, Chicago, with a program consisting of: Appalachian Spring, Embattled Garden, Errand into the Maze, and American Original.
Martha Graham Dance Company
The greatest thing [Graham] ever said to me was in 1943 after the opening of Oklahoma!, when I suddenly had unexpected, flamboyant success for a work I thought was only fairly good, after years of neglect for work I thought was fine. I was bewildered and worried that my entire scale of values was untrustworthy. I talked to Martha. I remember the conversation well. It was in a Schrafft's restaurant over a soda. I confessed that I had a burning desire to be excellent, but no faith that I could be. Martha said to me, very quietly: "There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open... No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others."
According to Agnes de Mille:
Martha Graham has been said to be the one that brought dance into the 20th century. Due to the work of her assistants, Linda Hodes, Pearl Lang, Diane Gray, Yuriko, and others, much of Graham’s work and technique have been preserved. They taped interviews of Graham describing her entire technique, and videos of her performances. As Glen Tetley told Agnes de Mille, “The wonderful thing about Martha in her good days was her generosity. So many people stole Martha’s unique personal vocabulary, consciously or unconsciously, and performed it in concerts. I have never once heard Martha say, 'So-and-so has used my choreography.'" An entire movement was created by her that revolutionized the dance world and created what is known today as modern dance. Now, dancers all over the world study and perform modern dance. Choreographers and professional dancers look to her for inspiration.
To celebrate what would have been her 117th birthday on May 11, 2011, Google's logo for one day was turned into one dedicated to Graham's life and legacy.
Graham has been sometimes termed the "Picasso of Dance," in that her importance and influence to modern dance can be considered equivalent to what Pablo Picasso was to modern visual arts. Her impact has been also compared with the influence Stravinsky had on music, or Frank Lloyd Wright had on architecture.
Influence and legacy
Graham choreographed until her death in New York City from pneumonia in 1991, aged 96. Just before she became sick with pneumonia, she finished the final draft of her autobiography, Blood Memory, which was published posthumously in the fall of 1991. She was cremated, and her ashes were spread over the Sangre de Cristo Mountains in northern New Mexico.Death