Lawrence Durrell

Lawrence Durrell

Lawrence Durrell
Born Lawrence George Durrell
(1912-02-27)27 February 1912
Jullunder, Punjab, British India
Died 7 November 1990(1990-11-07) (aged 78)
Sommières, France
Occupation Biographist; poet; playwright; novelist
Nationality British
Period 1931–1990
Notable works The Alexandria Quartet

Lawrence George Durrell (;[1] 27 February 1912 – 7 November 1990) was an expatriate British novelist, poet, dramatist, and travel writer, though he resisted affiliation with Britain and preferred to be considered cosmopolitan. It has been posthumously suggested that Durrell never had British citizenship, though, more accurately, he became defined as a non-patrial in 1968, due to the amendment to the Commonwealth Immigrants Act 1962.[2] Hence, he was denied the right to enter or settle in Britain under new laws and had to apply for a visa for each entry. His most famous work is the tetralogy The Alexandria Quartet.


  • Life and work 1
    • Poetry 1.1
    • Work with the British government 1.2
  • Bibliography 2
    • Novels 2.1
    • Travel 2.2
    • Poetry 2.3
    • Drama 2.4
    • Humour 2.5
    • Letters and essays 2.6
    • Editing and translating 2.7
  • Cultural references 3
  • Notes 4
  • Further reading 5
  • External links 6

Life and work

Durrell was born in Jalandhar, British India, the eldest son of Indian-born British colonials Louisa and Lawrence Samuel Durrell. His first school was St. Joseph's College, North Point, Darjeeling. At the age of eleven, he was sent to England, where he briefly attended St. Olave's Grammar School before being sent to St. Edmund's School, Canterbury. His formal education was unsuccessful, and he failed his university entrance examinations, but he began seriously writing poetry at the age of fifteen, and his first collection of poetry, Quaint Fragments, was published in 1931.

On 22 January 1935, he married Nancy Isobel Myers (1912-1983), the first of his four marriages.[3] Durrell was always unhappy in England, and in March of that year he persuaded his new wife, his mother, and his siblings (including younger brother Gerald, later a major wildlife conservationist and popular writer), to move to the Greek island of Corfu, where they might live more economically and escape both the English weather and the stultifying English culture—what Durrell called "the English death."[4]

In the same year Durrell's first novel, Pied Piper of Lovers, was published by Cassell. Around this time he chanced upon a copy of Henry Miller's 1934 novel Tropic of Cancer and wrote to Miller, expressing intense admiration for his novel. Durrell's letter sparked an enduring friendship and mutually critical relationship that spanned 45 years. The two got on well, as they were exploring similar subjects. Durrell's next novel, Panic Spring, was heavily influenced by Miller's work.[5] His next, The Black Book, abounded with "four-letter words... grotesques,... [and] its mood equally as apocalyptic" as Tropic.

In Corfu, Lawrence and Nancy lived together in bohemian style. For the first few months the couple lived with the rest of the Durrell family in the Villa Anemoyanni at Kontokali. In early 1936 Durrell and Nancy moved to the White House, a fisherman's cottage on the shore of Corfu's northeastern coast at Kalami, then a tiny fishing village. Durrell's friend Theodore Stephanides was a frequent guest, and Henry Miller stayed at the "White House" in 1939. This period of his sojourn on Corfu is somewhat fictionalised in a lyrical account in Prospero's Cell, which may be instructively compared with the accounts of the Corfu experience published by Gerald Durrell in My Family and Other Animals and the rest of Gerald's so-called Corfu trilogy. Gerald describes Lawrence as living permanently with his mother and siblings—Nancy is not mentioned at all—whereas Lawrence's account makes only a few references to just one of his siblings, Leslie, and does not mention that his mother and other two siblings were also resident on Corfu. The accounts do cover a few of the same topics; for example, both Gerald and Lawrence describe the roles played by the Corfiot taxi driver Spiro Amerikanos and the Greek doctor, scientist, and poet Theodore Stephanides in their lives on Corfu. In Corfu he became friends with Marie Aspioti, with whom he cooperated in the publication of Lear's Corfu.[6]:260

In August 1937, Lawrence and Nancy travelled to the [7] They also started the Villa Seurat Series in order to publish Durrell's Black Book, Miller's Max and the White Phagocytes, and Nin's Winter of Artifice, with Jack Kahane of the Obelisk Press as publisher.

Durrell's first novel of note, The Black Book: An Agon, was heavily influenced by Miller and was published in Paris in 1938. The mildly pornographic work only appeared in Britain in 1973. In the story, the main character Lawrence Lucifer struggles to escape the spiritual sterility of dying England, and finds Greece's warmth and fertility.

At the outbreak of the Second World War, Durrell's mother and brothers returned to England, while he and Nancy remained on Corfu. In 1940, he and Nancy had a daughter, Penelope Berengaria. After the fall of Greece, Lawrence and Nancy escaped via Crete to Alexandria in Egypt. The marriage was already under strain, however, and Durrell and Nancy separated in 1942, with Nancy taking baby Penelope to Jerusalem.

During his years on Corfu, Durrell had made notes for a book about the island, but it was only in Egypt towards the end of the war, that he was finally able to write it. In the book, Prospero's Cell, Durrell described Corfu as "this brilliant little speck of an island in the Ionian," with waters "like the heartbeat of the world itself."

During World War Two, Durrell served as a press attaché to the British Embassies, first in Cairo and then Alexandria. It was in Alexandria that he met Eve (Yvette) Cohen, a Jewish woman and native Alexandrian, who was to become his model for the character Justine in the Alexandria Quartet. In 1947, after his divorce from Nancy came through, Durrell married Eve Cohen and in 1951 they had a daughter, Sappho Jane, named after the legendary Ancient Greek poet Sappho. (Sappho Durrell committed suicide by hanging in 1985.)

In May 1945, Durrell obtained a posting to Rhodes. The Dodecanese had been taken by Italy from the disintegrating Ottoman Empire in 1912, during the Balkan Wars. With the Italian surrender in 1943 their erstwhile German allies took over most of the islands and held onto them as besieged fortresses until the war's end. Mainland Greece was at that time locked in civil war, and so the Dodecanese came under a temporary British military government pending sovereignty being handed over to Greece in 1947, as war reparations from Italy.

Durrell set up house in the little gatekeeper's lodge of an old Turkish cemetery, just across the road from the building used by the British Administration (today the Casino in Rhodes new town), where his co-habitation with Eve Cohen could be discreetly ignored by his employer, while remaining close enough to be within the perimeter security zone of the main building.

From this period comes his book "Reflections on a Marine Venus." a lyrical celebration of the island, in which, Durrell tends to avoid more than a passing mention of the troubled times.

In 1947, Durrell was appointed director of the British Council Institute in Córdoba, Argentina, where for the next eighteen months he gave lectures on cultural topics.[8] He returned to London with Eve in the summer of 1948, around the time that Marshal Josip Broz Tito of Yugoslavia broke ties with Joseph Stalin's COMINFORM, and Durrell was posted to Belgrade, Yugoslavia[9] where he was to remain until 1952. This sojourn gave him material for his book White Eagles over Serbia (1957).

Durrell's house in Rhodes features yellow-painted stucco or plaster walls, with Mediterranean architecture. It is situated alongside an asphalt street, with two cars parked parallel to it. The house is surrounded by several trees, shrubbery, roses and flowering bushes.
Lawrence Durrell's home in Rhodes from 20 May 1945 until 10 April 1947

In 1952, Eve had a breakdown and was hospitalised in England. Durrell moved to Cyprus with Sappho Jane, buying a house and taking a position teaching English literature at the Pancyprian Gymnasium to support his writing, followed by public relations work for the British government there during agitation for union with Greece. He wrote about his time in Cyprus in Bitter Lemons, which won the Duff Cooper Prize in 1957. In 1954, he became a Fellow of the Royal Society of Literature. Durrell left Cyprus in August 1956, after problems on the island and his British government position led to him being made a target of assassination attempts.[6]:27

In 1957, he published Justine, the first part of what was to become his most famous work, the Alexandria Quartet. Justine, Balthazar (1958), Mountolive (1958) and Clea (1960), deal with events before and during the Second World War in the Egyptian city of Alexandria. The first three books tell essentially the same story but from different perspectives, a technique Durrell described in his introductory note in Balthazar as "relativistic." Only in the final part, Clea, does the story advance in time and reach a conclusion.

The Quartet impressed critics by the richness of its style, the variety and vividness of its characters, its movement between the personal and the political, and its exotic locations in and around the city which Durrell portrays as the chief protagonist: "The city which used us as its flora—precipitated in us conflicts which were hers and which we mistook for our own: beloved Alexandria!" The Times Literary Supplement review of the Quartet stated: "If ever a work bore an instantly recognizable signature on every sentence, this is it." In 2012, the Nobel Records were opened after 50 years and it was revealed that Durrell was among a shortlist of authors considered for the 1962 Nobel Prize in Literature, along with John Steinbeck (winner), Robert Graves, Jean Anouilh and Karen Blixen.[10] It was decided that "Durrell was not to be given preference this year" – probably because "they did not think that The Alexandria Quartet was enough, so they decided to keep him under observation for the future".[10] Also a candidate in 1961, Durrell had in the previous year been ruled out because he "gives a dubious aftertaste … because of [his] monomaniacal preoccupation with erotic complications".[10]

Given the complexity of the work, it was probably inevitable that Sommières, a small village in Languedoc, France, where he purchased a large house standing secluded in its own extensive walled grounds on the edge of the village. Here he wrote The Revolt of Aphrodite, comprising Tunc (1968) and Nunquam (1970), and The Avignon Quintet, which attempted to replicate the success of the Alexandria Quartet and revisited many of the same motifs and styles to be found in the earlier work. Although it is frequently described as a quintet, Durrell himself referred to it as a "quincunx." The middle book of the quincunx, Constance, or Solitary Practices, which portrays France under the German occupation, was nominated for the Booker Prize in 1982, and the opening novel, Monsieur, or the Prince of Darkness, received the 1974 James Tait Black Memorial Prize. In 1974, Durrell was the Andrew Mellon Visiting Professor of Humanities at the California Institute of Technology.[11]

Durrell wrote the Preface: About Eduardo Sanguinetti (1982) to Sanguinetti´s Poetry and Philosophical Essay Alter Ego (1986) . Durrell said in the Preface: This is what the work of Sanguinetti shows us, in the form of a mirror image. Or, to put it in less philosophical terms, Eduardo Sanguinetti, like almost any other creator, has little understanding of what he is going to do and only partially understands what he has done. Sanguinetti in a way of contemplating the world and all his work, whatever the medium, reveals this particular way. Sanguinetti is a style. He is an extraordinarily coherent statement of a way of being in the world. [12][13]

Other works from this period are "Sicilian Carousel," a celebration of that island, "The Greek Islands," and "Caesar's Vast Ghost," which is mainly about Provence, France.

Durrell suffered from emphysema for many years. He died of a stroke at his house in Sommières in November 1990. His lifelong friend Alan G. Thomas donated a collection of books and periodicals associated with Durrell to the British Library, which is maintained as the distinct Lawrence Durrell Collection.

Alan Thomas also acted as editor for an anthology of additional writings, letters and poetry, "Spirit Of Place," which contains much that supplements Durrell's own books.


Durrell's poetry has been overshadowed by his novels. Peter Porter, in his introduction to a Selected Poems,[14] writes of Durrell as a poet: "One of the best of the past hundred years. And one of the most enjoyable." He goes on to describe Durrell's poetry as "Always beautiful as sound and syntax. Its innovation lies in its refusal to be more high-minded than the things it records, together with its handling of the whole lexicon of language."[15]

Work with the British government

Durrell also spent several years in the service of the [6]:185 Durrell's works of humour Esprit de Corps and Stiff Upper Lip are about life in the diplomatic corps, particularly Serbia.

He claimed to have disliked both Egypt and Argentina,[16] although nowhere near as much as he disliked Yugoslavia.




  • Prospero's Cell: A guide to the landscape and manners of the island of Corcyra [Corfu] (1945; republished 2000) (ISBN 0-571-20165-2)
  • Reflections on a Marine Venus (1953)
  • Bitter Lemons (1957; republished as Bitter Lemons of Cyprus 2001)
  • Blue Thirst (1975)
  • Sicilian Carousel (1977)
  • The Greek Islands (1978)
  • Caesar's Vast Ghost (1990)


  • Quaint Fragments: Poems Written between the Ages of Sixteen and Nineteen (1931)
  • Ten Poems (1932)
  • Transition: Poems (1934)
  • A Private Country (1943)
  • Cities, Plains and People (1946)
  • On Seeming to Presume (1948)
  • The Poetry of Lawrence Durrell (1962)
  • Selected Poems: 1953–1963 Edited by Alan Ross (1964)
  • The Ikons (1966)
  • The Suchness of the Old Boy (1972)
  • Collected Poems: 1931–1974 Edited by James A. Brigham (1980)
  • Selected Poems of Lawrence Durrell Edited by Peter Porter (2006)


  • Bromo Bombastes, under the pseudonym Gaffer Peeslake (1933)
  • Sappho: A Play in Verse (1950)
  • An Irish Faustus: A Morality in Nine Scenes (1963)
  • Acte (1964)


  • Esprit de Corps (1957)
  • Stiff Upper Lip (1958)
  • Sauve Qui Peut (1966)
  • Antrobus Complete (1985), a collection of short stories, previously published in various magazines, about life in the diplomatic corps.

Letters and essays

  • A Key to Modern British Poetry (1952)
  • Lawrence Durrell and Henry Miller: A Private Correspondence (1962) edited by George Wickes
  • Spirit of Place: Letters and Essays on Travel (1969) edited by Alan G. Thomas
  • Literary Lifelines: The Richard Aldington—Lawrence Durrell Correspondence (1981) edited by Ian S. MacNiven and Harry T. Moore
  • A Smile in the Mind's Eye (1980)
  • Preface, about Eduardo Sanguinetti of Sanguinetti´s Poetry and Philosophical Essay Alter Ego (1986), edited by The Pentland (Edinburgh).
  • "Letters to T. S. Eliot" (1987) Twentieth Century Literature Vol. 33, No. 3 pp. 348–358.
  • The Durrell-Miller Letters: 1935–80 (1988), edited by Ian S. MacNiven
  • Letters to Jean Fanchette (1988), edited by Jean Fanchette

Editing and translating

  • Wordsworth; Selected by Lawrence Durrell (1973), edited by Durrell
  • New Poems 1963: A P.E.N. Anthology of Contemporary Poetry (1963), edited by Durrell
  • The Best of Henry Miller (1960), edited by Durrell
  • The Curious History of Pope Joan (1954), by Emmanuel Roídes and translated by Durrell
  • The King of Asine and Other Poems (1948), by Bernard Spencer, and Nanos Valaoritis
  • Six Poems From the Greek of Sikelianós and Seféris (1946), translated by Durrell

Cultural references

  • Lawrence Durrell—song by Mick Thomas.
  • The song Stoney from Jerry Jeff Walker's 1970 album Bein' Free mentions the protagonist carrying a pillowcase full of books by Durrell.
  • California Split—Film (1974) with several parallels to the novel [which book?] which Gwen Welles' character is shown reading.
  • Flirting—Film (1991) shows a paperback copy of Durrell's Justine sits on Thandie Newton's vanity table while she smokes at her mirror, echoing a scene in Justine.
  • Stranger than Fiction—Film (2006) in which The Alexandria Quartet is briefly referred to in a scene between Dustin Hoffman and Will Ferrell. The following is written on the chalkboard behind them: "Mountolive's ear aches, Liza's blindness, Clea's amputated hand, Leila's smallpox, Justine's stroke, Pombal's gout," and this is juxtaposed against Harold Crick's (Farrell) impending, "literary" doom.
  • Wonder Boys —In the novel by Michael Chabon, one of the characters is said to carry a photo of Lawrence Durrell in her wallet.


  1. ^ "Durrell". Random House Webster's Unabridged Dictionary.
  2. ^ Ezard, John (29 April 2002). "Durrell Fell Foul of Migrant Law". The Guardian. Retrieved 30 January 2007. 
  3. ^ MacNiven, Ian S. (1998). Lawrence Durrell: A Biography. Faber and Faber.   p. xiii.
  4. ^ "Lawrence Durrell" by Anna Lillios, Magill's Survey of World Literature, volume 7, pages 2334-2342. Copyright 1995, Salem Press, Inc.
  5. ^ Karl Orend, "New Bibles", Times Literary Supplement 22 August 2008 p 15
  6. ^ a b c Lillios, Anna (2004). Lawrence Durrell and the Greek World. Susquehanna University Press.  
  7. ^ Dearborn, Mary V. (1992). The Happiest Man Alive: A Biography of Henry Miller. Touchstone Books.   p. 192 and picture insert captions.
  8. ^ Interview with Marc Alyn, published in Paris in 1972, translated by Francine Barker in 1974; reprinted in Earl G. Ingersoll, Lawrence Durrell: Conversations, Associated University Presses, 1998. ISBN 0-8386-3723-X. p. 138.
  9. ^ Alyn, op. cit. Ingersoll, page 139.
  10. ^ a b c Alison Flood (3 January 2013). "Swedish Academy reopens controversy surrounding Steinbeck's Nobel prize".  
  11. ^ Andrews, Deborah. (ed)., ed. (1991). The Annual Obituary 1990. Gale.  p. 678.
  12. ^ Sanguinetti Eduardo 1984, "Alter Ego" pag. 7, 8 (Pentland, Edinburgh, First Published in 1986 in the English language translated from the Spanish in 1986)ISBN 0946270171, 9780946270170
  13. ^ Alter ego - Eduardo Sanguinetti - Google Libros. 2011-11-29. Retrieved 2013-02-18. 
  14. ^ Porter, P. (ed)., ed. (2006). Lawrence Durrell: Selected Poems. Faber and Faber. 
  15. ^ Porter, op. cit., p. xxi.
  16. ^ Lawrence Durrell in Cyprus: A Philhellene against Enosis, published in Epos in 2003, by José Ruiz Mas (PDF). p. 230. 

Further reading

Biography and Interviews

  • Andrewski, Gene & Mitchell, Julian (Autumn-Winter 1959–1960). "Lawrence Durrell, The Art of Fiction No. 23". Paris Review. 
  • Bowker, Gordon. Through the Dark Labyrinth: A Biography of Lawrence Durrell. New York: St. Martin's P, 1997.
  • Chamberlin, Brewster. A Chronology of the Life and Times of Lawrence Durrell. Corfu: Durrell School of Corfu, 2007.
  • Durrell, Lawrence. The Big Supposer: An Interview with Marc Alyn. New York: Grove P, 1974.
  • Haag, Michael. Alexandria: City of Memory. London and New Haven: Yale U P, 2004. [Intertwined biographies of Lawrence Durrell, E.M. Forster and Constantine Cavafy in Alexandria.]
  • Haag, Michael. Vintage Alexandria: Photographs of the City 1860–1960. Cairo and New York: The American U of Cairo P, 2008. [Includes an introduction on the historical, social and literary significance of Alexandria, and extensively captioned photographs of the cosmopolitan city and its inhabitants, including Durrell and people he knew.]
  • MacNiven, Ian. Lawrence Durrell—A Biography. London: Faber and Faber, 1998.
  • Todd, Daniel Ray. An Annotated, Enumerative Bibliography of the Criticism of Lawrence Durrell's Alexandria Quartet and his Travel Works. New Orleans: Tulane U, 1984. [Doctoral dissertation]
  • Ingersoll, Earl. Lawrence Durrell: Conversations. Cranbury: Ashgate; 1998.
  • Alexandre-Garner, Corinne, ed. Lawrence Durrell Revisited : Lawrence Durrell Revisité. Confluences 21. Nanterre: Université Paris X, 2002.
  • Alexandre-Garner, Corinne, ed. Lawrence Durrell: Actes Du Colloque Pour L'Inauguration De La Bibliothèque Durrell. Confluences 15. Nanterre: Université Paris-X, 1998.
  • Alexandre-Garner, Corinne. Le Quatuor D'Alexandrie, Fragmentation Et Écriture : Étude Sur Lámour, La Femme Et L'Écriture Dans Le Roman De Lawrence Durrell. Anglo-Saxon Language and Literature 136. New York: Peter Lang, 1985.
  • Begnal, Michael H., ed. On Miracle Ground: Essays on the Fiction of Lawrence Durrell. Lewisburg: Bucknell U P, 1990.
  • Cornu, Marie-Renée. La Dynamique Du Quatuor D'Alexandrie De Lawrence Durrell: Trois Études. Montréal: Didier, 1979.
  • Fraser, G. S. Lawrence Durrell: A Study. London: Faber and Faber, 1968.
  • Friedman, Alan Warren, ed. Critical Essays on Lawrence Durrell. Boston: G.K. Hall, 1987.
  • Friedman, Alan Warren. Lawrence Durrell and "The Alexandria Quartet": Art for Love's Sake. Norman: U of Oklahoma P, 1970.
  • Herbrechter, Stefan. Lawrence Durrell, Postmodernism and the Ethics of Alterity. Postmodern Studies 26. Amsterdam: Rodopi, 1999.
  • Hoops, Wiklef. Die Antinomie Von Theorie Und Praxis in Lawrence Durrells Alexandria Quartet: Eine Strukturuntersuchung. Frankfurt: Peter Lang, 1976.
  • Isernhagen, Hartwig. Sensation, Vision and Imagination: The Problem of Unity in Lawrence Durrell's Novels. Bamberg: Bamberger Fotodruck, 1969.
  • Kaczvinsky, Donald P. Lawrence Durrell's Major Novels, or The Kingdom of the Imagination. Selinsgrove: Susquehanna U P, 1997.
  • Lampert, Gunther. Symbolik Und Leitmotivik in Lawrence Durrells Alexandria Quartet. Bamberg: Rodenbusch, 1974.
  • Lillios, Anna, ed. Lawrence Durrell and the Greek World. London: Associated U Presses, 2004.
  • Moore, Harry T., ed. The World of Lawrence Durrell. Carbondale: Southern Illinois U P, 1962.
  • Morrison, Ray. A Smile in His Mind's Eye: A Study of the Early Works of Lawrence Durrell. Toronto: U of Toronto P, 2005.
  • Pelletier, Jacques. Le Quatour D'Alexandrie De Lawrence Durrell. Lawrence Durrell's Alexandria Quartet. Paris: Hachette, 1975.
  • Pine, Richard. Lawrence Durrell: The Mindscape. Corfu: Durrell School of Corfu, revised edition, 2005.
  • Pine, Richard. The Dandy and the Herald: Manners, Mind and Morals From Brummell to Durrell. New York: St. Martin's P, 1988.
  • Raper, Julius Rowan, et al, eds. Lawrence Durrell: Comprehending the Whole. Columbia: U of Missouri P, 1995.
  • Rashidi, Linda Stump. (Re)constructing Reality: Complexity in Lawrence Durrell's Alexandria Quartet. New York: Peter Lang, 2005.
  • Ruprecht, Walter Hermann. Durrells Alexandria Quartet: Struktur Als Belzugssystem. Sichtung Und Analyse. Swiss Studies in English 72. Berne: Francke Verlag, 1972.
  • Sajavaara, Kari. Imagery in Lawrence Durrell's Prose. Mémoires De La Société Néophilologique De Helsinki 35. Helsinki: Société Néophilologique, 1975.
  • Sertoli, Giuseppe. Lawrence Durrell. Civilta Letteraria Del Novecento: Sezione Inglese—Americana 6. Milano: Mursia, 1967.
  • Potter, Robert A., and Brooke Whiting. Lawrence Durrell: A Checklist. Los Angeles: U of California, Los Angeles Library, 1961.
  • Thomas, Alan G., and James Brigham. Lawrence Durrell: An Illustrated Checklist. Carbondale: Southern Illinois U P, 1983.

Critical Articles

  • Zahlan, Anne R. "Always Friday the Thirteenth: The Knights Templar and the Instability of History in Durrell's The Avignon Quintet." Deus Loci: The Lawrence Durrell Journal NS11 (2008–09): 23-39.
  • Zahlan, Anne R. "Avignon Preserved: Conquest and Liberation in Lawrence Durrell's Constance." The Literatures of War. Ed. Richard Pine and Eve Patten. Newcastle upon Tyne: Cambridge Scholars, 2009. 253-276.
  • Zahlan, Anne R. "City as Carnival: Narrative as Palimpsest: Lawrence Durrell's The Alexandria Quartet." The Journal of Narrative Technique 18 (1988): 34-46.
  • Zahlan, Anne R. "Crossing the Border: Lawrence Durrell's Alexandrian Conversion to Post-Modernism." South Atlantic Review 64:4 (Fall 1999).
  • Zahlan, Anne R. "The Destruction of the Imperial Self in Lawrence Durrell's The Alexandria Quartet." Self and Other: Perspectives on Contemporary Literature XII. University Press of Kentucky, 1986. 3-12.
  • Zahlan, Anne R. "The Most Offending Souls Alive: Ruskin, Mountolive, and the Myth of Empire." Deus Loci: The Lawrence Durrell Journal NS10 (2006).
  • Zahlan, Anne. R. ""The Negro as Icon: Transformation and the Black Body in Lawrence Durrell's The Avignon Quintet." South Atlantic Review 71.1 (Winter 2006). 74-88.
  • Zahlan, Anne. R. "War at the Heart of the Quincunx: Resistance and Collaboration in Durrell's Constance." Deus Loci: The Lawrence Durrell Journal NS12 (2010). 38-59.

External links

  • The International Lawrence Durrell Society Official website of ILDS
  • Durrell 2012: The Lawrence Durrell Centenary Centenary event website and Durrell Journal
  • The Durrell School of Corfu School dedicated to the works and lives Lawrence and Gerald Durrell
  • Lawrence Durrell Library (Nanterre – France) Contains 2500 documents related to Durrell
  • Durrell Celebration in Alexandria
  • Critical Materials on Lawrence Durrell: A Bibliographic Checklist
  • Lawrence Durrell Bibliography from Inventions of Spring
  • Lawrence Durrell (1912–1990)
  • Photos from Find a Grave


  • Andrewski, Gene; Mitchell, Julian (23 April 1959). "Lawrence Durrell: The Art of Fiction No. 23 (interview)". The Paris Review. Retrieved 1 July 2006. 
  • Gifford, James (30 July 2004). "Lawrence Durrell: Text, Hypertext, Intertext". Agora: An Online Graduate Journal. Retrieved 14 October 2007. 
  • Gifford, James (30 November 2001). "Forgetting A Homeless Colonial: Gender, Religion and Transnational Childhood in Lawrence Durrell's Pied Piper Of Lovers". Jouvert: A Journal of Postcolonial Studies. Retrieved 14 October 2007. 
  • "Lawrence Durrell in the ambiguous white metropolis": an essay on the "Alexandria Quartet" from TLS, 27 August 2008.
  • Lawrence Durrell collection at University of Victoria, Special Collections
  • Lawrence Durrell Papers, 1933–1971 at Southern Illinois University Carbondale, Special Collections Research Center