erence-text">W. B. Stanford, "The Ulysses Theme", Ann Arbor Paperbacks, 1968, p. v
  • ^ Yorku.ca
  • ^ Worldwideschool.org
  • ^ Butler, Samuel (1897) The authoress of the Odyssey : where and when she wrote, who she was, the use she made of the Iliad, and how the poem grew under her hands London: Longmans, Green
  • ^ Mary Ebbott "Butler's Authoress of the Odyssey: gendered readings of Homer, then and now," (Classics@: Issue 3).
  • ^ a b Adam Parry (ed.) The Making of Homeric Verse: The Collected Papers of Milman Parry, Clarendon Press, Oxford 1987.
  • ^ "Signs of Meaning" Science 324 p. 38, 3 April 2009, reviewing Powell's Writing and citing Powell's Homer and the Origin of the Greek Alphabet CUP 1991
  • ^ Najock Dietmar, 1995, "Letter Distribution and Authorship in Early Greek Epics", Revue informatique et Statistique dans les Sciences Humaines, XXXI, 1 à 4, p. 129-154 [1]
  • ^ Vonfelt Stephan, 2010, "Archéologie numérique de la poésie grecque", Université de Toulouse [2]
  • ^ Aristotle, Poetics, 1451a 16–29. Cf. Aristotle, "On the Art of Poetry" in T.S. Dorsch (tr.), Aristotle, Horace, Longinus: Classical Literary Criticism, Penguin, Harmondsworth, 1965 ch. 8 pp. 42–43
  • ^ Matthew Arnold, 'On Translating Homer' (Oxford Lecture, 1861) in Lionel Trilling (ed.) The Portable Matthew Arnold (1949) Viking Press, New York 1956 pp. 204–228, p. 211
  • ^ Dante has Virgil introduce Homer, with a sword in hand, as poeta sovrano (sovereign poet), walking ahead of Horace, Ovid and Lucan. Cf. Inferno IV, 88
  • ^ Gilbert Murray, The Rise of the Greek Epic, Clarendon Press, Oxford 1907, pp. 182f., slightly expanded in the 4th. ed. (1934) 1960 pp. 206ff.
  • ^ Morgan, Llewelyn, 1999. Patterns of Redemption in Virgil's Georgics (Cambridge: Cambridge University Press), p. 30.
  • ^ Zanker, Paul, 1996. The Mask of Socrates: The Image of the Intellectual in Antiquity, Alan Shapiro, trans. (Berkeley: University of California Press).